The Eight, Hod, in the suit of Water, governs this card. It shows the influence of Mercury, but this is overpowered by the reference of the card to Saturn in Pisces. Pisces is calm but stagnant water; and Saturn deadens it completely. Water appears no longer as the Sea but as pools; and there is no florescence in this card as there was in the last. The Lotuses droop for lack of sun and rain, and the soil is poison to them; only two of the stems show blossoms at all. The cups are shallow, old and broken.

They are arranged in three rows; of these the upper row of three is quite empty. Water trickles from the two flowers into the two central cups, and they drip into the two lowest without filling them. The background of the card shows pools, or lagoons, in very extensive country, incapable of cultivation; only disease and miasmatic poison can flourish in those vast Bad Lands.

The water is dark and muddy. On the horizon is a pallid, yellowish light, weighed down by leaden clouds of indigo.
Compare with the last card; it represents the opposite and complementary error. The one is the Garden of Kundry, the other the Palace of Klingsor.

In the psychopathology of The Path, this card is the German Measles of Christian Mysticism.

This card is ruled by Chokmah in the Element of Air. This suit, governing all intellectual manifestations, is always complicated and disordered. It is subject to change as is no other suit. It represents a general shaking-up, resulting from the conflict of Fire and Water in their marriage; and proceeds, when Earth appears, to crystallization. But the purity and exaltation of Chokmah are such that this card manifests the very best idea possible to the suit. The energy abides above the onslaught of disruption. This comparative calm is emphasized by the celestial attribution: the Moon in Libra.

The Moon is change, but Nature is peaceful; moreover, Libra represents balance; between them, they regulate the energy of the Swords.

In the card appear two swords crossed; they are united by a blue rose with five petals. This rose represents the influence of the Mother, whose harmonizing influence compounds the latent antagonism native to the suit. The Rose emits white rays, producing a geometrical pattern that emphasizes the equilibrium of the symbol.

This card is referred to Geburah of the suit of Fire. Geburah itself being fiery, it is a purely active ,force. It is ruled also by Saturn and Leo. Leo shows the element of Fire at its strongest and most balanced. Saturn tends to weigh it down and to embitter it. There is no limit to the scope of this volcanic energy.

The symbol represents the wand of the Chief Adept, showing that the authority is derived from the superiors; were it not so, this card would be thoroughly disastrous. Moreover, there are also two wands of the Second, or Major Adept. They have the head of the Phoenix, which gives the idea of destruction (or rather purgation) through fire, and the resurrection of the energy from its ashes.

There is also a pair of wands of the Third, or Minor, Adept, which are daughters, so to speak, of the wands in the Three of Wands. In this card there is the mitigating influence of the Mother. One of the most difficult doctrines with regard to Geburah is that, while it represents all this tameless irrational energy and disturbance, yet it derives from the benign and gentle influence of the feminine.

The Egyptians understood this doctrine perfectly. Their Lion goddess, Pasht, was hailed as “saeva” and “ferox”, was even called “red in tooth and claw” by those fanatical devotees who wished to identify her with Nature. The idea of sexual cruelty is often inherent in the highest divine nature; compare Bhavani and Kali in the Hindu system, and observe the Shiva-Sakti coition portrayed on many Tibetan banners. See also Liber 418,4th, 3rd, and 2nd Aethyrs; and the description supra of Atu XI.