The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water.

In this card is the pageant of the culmination and perfection of the original force of Water.

The Ruler is Jupiter in Pisces. This influence is more than sympathetic; it is a definite benediction, for Jupiter is the planet of Chesed which represents Water in its highest material manifestation, and Pisces brings out the placid qualities of Water.
In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.

The Geomantic Figure Laetitia is ruled by Jupiter in Pisces. For its meaning consult the “Handbook of Geomancy” (Equinox Vol I, No.2). Laetitia, Joy, gladness, is one of the best and most powerful of the sixteen figures; for the Solar, Lunar, and Mercurial symbols are, at the best, ambiguous and treacherously ambivalent; those of Venus portend rather relief than positive beneficence; Saturn and Mars are seen at their worst; and even the stable-companion of Laetitia, Acquisitio, has its unpleasant aspects, and even its dangers. But the consonance of Laetitia with this card amounts to little less than an identity; the wine is poured by Ganymede himself, unstinted vintage of true nectar of the Gods, brimful and running over, an ordered banquet of delight, True Wisdom self-fulfilled in Perfect Happiness.

The number Nine, Yesod, brings back the Energy to the central pillar of the Tree of Life. The previous disorder is now rectified.

But the general idea of the suit has been constantly degenerating. The Swords no longer represent pure intellect so much as the automatic stirring of heartless passions. Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic.

The celestial ruler is Mars in Gemini, crude rage of hunger operating without restraint; although its form is intellectual, it is the temper of the inquisitor.

The symbol shows nine swords of varying lengths, all striking downwards to a point.

They are jagged and rusty. Poison and blood drip from their blades.

There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom.
Nor is an alien formula that of implacable revenge.

The Knight of Swords represents the fiery part of Air; he is the wind, the storm. He represents the violent power of motion applied to an apparently manageable element. He rules from the 21st degree of Taurus to the 20th degree of Gemini. He is a warrior helmed, and for his crest he bears a revolving wing. Mounted upon a maddened steed, he drives down the Heavens, the Spirit of the Tempest. In one hand is a sword, in the other a poniard. He represents the idea of attack.

The moral qualities of a person thus indicated are activity and skill, subtlety and cleverness. He is fierce, delicate and courageous, but altogether the prey of his idea, which comes to him as an inspiration without reflection.

If ill-dignified, the vigour in all these qualities being absent, he is incapable of decision or purpose. Any action that he takes is easily brushed aside by opposition. Inadequate violence spells futility. “Chimaera bombinans in vacuo”.

In the Yi King, the fiery part of Air is represented by the 32nd hexagram, Hang. This is the first occasion on which it has been simple to demonstrate the close technical parallelism which identifies Chinese thought and experience with that of the West.

For the meaning is long continuance: “perseverance in well-doing, or continuously acting out the law of one’s being”, as Legge puts it in his note on the hexagram; and this seems incongruous with the Qabalistic idea of violent energy applied to the least stable of the elements. But the trigram of Air also indicates wood; and the hexagram may have Suggested the irresistible flow of the sap, and its effect in strengthening the tree. This conjecture is supported by the warning in line 6: “The topmost line, divided, shows its subject exciting himself to long continuance. There will be evil.”

Allowing this, the image of “the extended flame of mind”, as Zoroaster calls it, may well be subjoined to the former description. It is the True Will exploding the mind spontaneously. The influence of Taurus makes for steadiness, and that of the first decanate of Gemini for inspiration. So let us picture him, “integer vitae scelerisque purus”, a light-shaft of the Ideal absorbing the entire life in concentrated aspiration, passing from earthy Taurus to exalted Gemini. Here, too, is shewn (as in the Yi) the danger to the subject of this symbol; for the first decan is the card called “Interference”; or, in the old pack, “Shortened Force”.

This card is referred to Geburah of the suit of Fire. Geburah itself being fiery, it is a purely active ,force. It is ruled also by Saturn and Leo. Leo shows the element of Fire at its strongest and most balanced. Saturn tends to weigh it down and to embitter it. There is no limit to the scope of this volcanic energy.

The symbol represents the wand of the Chief Adept, showing that the authority is derived from the superiors; were it not so, this card would be thoroughly disastrous. Moreover, there are also two wands of the Second, or Major Adept. They have the head of the Phoenix, which gives the idea of destruction (or rather purgation) through fire, and the resurrection of the energy from its ashes.

There is also a pair of wands of the Third, or Minor, Adept, which are daughters, so to speak, of the wands in the Three of Wands. In this card there is the mitigating influence of the Mother. One of the most difficult doctrines with regard to Geburah is that, while it represents all this tameless irrational energy and disturbance, yet it derives from the benign and gentle influence of the feminine.

The Egyptians understood this doctrine perfectly. Their Lion goddess, Pasht, was hailed as “saeva” and “ferox”, was even called “red in tooth and claw” by those fanatical devotees who wished to identify her with Nature. The idea of sexual cruelty is often inherent in the highest divine nature; compare Bhavani and Kali in the Hindu system, and observe the Shiva-Sakti coition portrayed on many Tibetan banners. See also Liber 418,4th, 3rd, and 2nd Aethyrs; and the description supra of Atu XI.